Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Hyacinthe Rigaud
Count Philipp Ludwing Wenzel of Sinzendorf

ID: 39738

Hyacinthe Rigaud Count Philipp Ludwing Wenzel of Sinzendorf
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Hyacinthe Rigaud Count Philipp Ludwing Wenzel of Sinzendorf


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Hyacinthe Rigaud

1659-1743 French Hyacinthe Rigaud Gallery He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659). In 1682, he was awarded the Prix de Rome. He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles. In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Hyacinthe Rigaud died in Paris, France on December 27, 1743.  Related Paintings of Hyacinthe Rigaud :. | Portrait of Cardinal de Polignac | Andre-Hercule de Fleury | Louix XIV | Portrait of Louis XIV | Portrait of Marie-Madeleine Mazade |
Related Artists:
Franz Kruger
1797-1857 German Franz Kruger Gallery
Krzysztof Aleksander Boguszewski
painted Virgin Mary on the dragon surrounded by angels in 1629
TROOST, Cornelis
Dutch painter (b. 1697, Amsterdam, d. 1750, Amsterdam). Dutch painter, draughtsman and printmaker. He was the most important Dutch artist of the 18th century; he received many commissions (the catalogue by Niemeijer contains 925 numbers). Although he generally looked back to the genre scenes of the Dutch 17th-century masters, his satirical paintings earned him the nickname 'the Dutch Hogarth' after his English contemporary.






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